£29.69

Description

Contents

Introduction: Penny Sparke Section One: Engaging Nature Introduction: Penny Sparke Chapter 1 Human/Nature: Wilderness and the Landscape/Architecture Divide, Joel Sanders, Yale University and Joel Sanders Architects, USA Chapter 2 Spatial Experience within the Colonial Bungalow: The Tropical Modern and Critical Vernacular House in South Asia, 1880-1980, Robin Jones, Independent Scholar, UK Chapter 3 Continuities and Discontinuities: The House and Garden as Rational and Psychical Space in Vienna's Early Modernism, Diane Silverthorne, Birkbeck, University of London and Central Saint Martins, University of the Arts London, UK Chapter 4 A Point of View: Christopher Hussey's Sense of the Picturesque, Pat Wheaton, Independent Scholar and Christie's Auction House, London, UK Chapter 5 Inside Out: Spectacle and Transformation, Chris Hay, independent scholar, UK and Patricia Brown, Kingston University, UK Chapter 6 The Allegory of the Cave: speculations between interior and landscape for the Barangaroo Headland Cultural Facility, Sing d'Arcy University of New South Wales, Australia Chapter 7 45 degrees, Jude Walton, Victoria University, Melbourne, Australia and Phoebe Robinson, Deakin University and Victorian College of the Arts, School of Dance, Australia Section Two: Mobility Introduction: Gini Lee Chapter 8 Flow, Kerstin Thompson, Director Kerstin Thompson Architects, Melbourne, Professor in Design, Victoria University of Wellington, New Zealand and Adjunct Professor at RMIT and Monash Universities Chapter 9 Light Events: Interior and Exterior Space in Michael Snow's Wavelength (1967), Eleanor Suess, Kingston University, London, UK Chapter 10 The Indignant Beton, Elias Constantopoulos University of Patras, Greece Chapter 11 Republican Homes:Changing Flows in Domestic Architecture in Santa Fe de Bogota, 1820-1900, Patricia Lara-Betancourt, Kingston University, London, UK Chapter 12 A Place Out of the Archive: Reprise under [the Condition] of Flow, Gini Lee, The University of Melbourne, Australia and Dolly Daou, Swinburne University of Technology, Australia Chapter 13 Projective Views, Eleanor Suess, Kingston University, London, UK Section Three: Continuity Introduction: Patricia Brown Chapter 14 The Interiority of Landscape: Gate, Journey, Horizon, Jeff Malpas, Professor of Philosophy, University of Tasmania, and RMIT University, Australia Chapter 15 Transitional Spaces in Late Nineteenth Century Domestic Architecture in Merida, Yucatan, Gladys Arana, Universidad Autonoma de Yucatan (UADY) and Catherine R. Ettinger, Universidad Michoacana de San Nicolas de Hidalgo, Mexico Chapter 16 A Continuous Landscape? Neighbourhood Planning and the New Local in Post-War Bristol, Fiona E. Fisher, Kingston University and Rebecca Preston, Royal Holloway, University of London, UK Chapter 17 Like Vessels: Giorgio Morandi and the Porticoes of Bologna, Vicky Falconer, University of the Arts London, UK Chapter 18 Re-thinking Flow and the Relationship Between Indoors and Out: California c.1945-c. 1965, Pat Kirkham, Kingston University, London, UK Chapter 19 Green Interiors: Transitional Spaces in Multilevel Building, Elisa Bernardi, Architect, Milan, Italy Chapter 20 Between Concentration and Distraction, Sarah Breen Lovett, Artist and Research Fellow at The University of Sydney, Australia Section Four: Frames Introduction: Mark Taylor Chapter 21 Ornamental Transparency in the Modern Kitchen, Sandy Isenstadt, University of Delaware, USA Chapter 22 Tracing Events: Material Tales for Country Homes and Gardens, as found in Rural Australia, Mark Taylor, University of Newcastle, Australia and Gini Lee, The University of Melbourne, Australia Chapter 23 Decorating with a View: The Nineteenth-Century Escapist Window, Anca I. Lasc, Pratt Institute, New York, USA Chapter 24 Curtaining the Curtain Wall: Traversing the Boundaries of the Modern Postwar Domestic Environment, Margaret M. Petty, Queensland University of Technology, Brisbane, Australia Chapter 25 Speeds, Slowness, Temporal Consistencies and Interior Making,Suzie Attiwill, RMIT University, Melbourne, Australia Chapter 26 Lines to Make Space, Sarah Jamieson, Visiting Research Fellow at University of Technology Sydney, Australia and Nadia Wagner, Glasgow School of Art, Singapore and University of Sydney, Australia

Back