Skip to main content Site map

Guerrilla Film Scoring: Practical Advice from Hollywood Composers


Guerrilla Film Scoring: Practical Advice from Hollywood Composers

Hardback by Borum, Jeremy

Guerrilla Film Scoring: Practical Advice from Hollywood Composers

£81.00

ISBN:
9781442237285
Publication Date:
16 Apr 2015
Language:
English
Publisher:
Rowman & Littlefield
Pages:
270 pages
Format:
Hardback
For delivery:
Estimated despatch 27 - 29 May 2024
Guerrilla Film Scoring: Practical Advice from Hollywood Composers

Description

As the movie and music industries have changed, film scoring has become an overwhelmingly independent process. Film composers have more responsibilities than ever before, and they must fulfill them with smaller budgets and shorter schedules. As a result, composers are increasingly becoming armies of one. In Guerrilla Film Scoring: Practical Advice from Hollywood Composers, Jeremy Borum provides valuable guidance on how to make a good film score both quickly and inexpensively. This handbook encompasses the entire film scoring process including education, preparation, writing and recording a score, editing, mixing and mastering, finding work, career development, and sample contracts. Offering strategic tools and techniques, this insider's guide draws on the expertise from a number of prominent composers in movies, television, and video gaming, including Stewart Copeland, Bruce Broughton, and Jack Wall. A straightforward do-it-yourself manual, this book will help composers at all levels create the best-sounding scores quickly and cost effectively-without jeopardizing their art. With access to rare and extremely useful input from the best in the business, Guerrilla Film Scoring will benefit not only students but also professionals looking to update their game.

Contents

Acknowledgments Introduction: The New Scoring Landscape PART I: PREPRODUCTION 1-Education 2-Team Building 3-Before You Begin 4-Time Management PART II: PRODUCTION 5-Writing 6-Demos 7-Score Preparation 8-Preparing for Sessions 9-The Studio 10-Performing 11-Producing PART III: POSTPRODUCTION 12-Music Editing 13-Mixing and Mastering 14-Finding Work 15-Career Development 16-Music Libraries APPENDIXES A-Sample Contracts B-Composer Bios Index About the Author

Back

University of Salford logo