Dances of Jos Limn and Erick Hawkins examines stagings of masculinity, whiteness, and Latinidad in the work of US modern dance choreographers, Jos Limn (1908-1972) and Erick Hawkins (1908-1994).Focusing on the period between 1945 to 1980, this book analyzes Limn and HawkinsO work during a time when modern dance was forming new relationships to academic and governmental institutions, mainstream markets, and notions of embodiment. The pre-war expressionist tradition championed by Limn and HawkinsO mentors faced multiple challenges as ballet and Broadway complicated the tenets of modernism and emerging modern dance choreographers faced an increasingly conservative post-war culture framed by the Cold War and Red Scare. By bringing the work of Limn and Hawkins together in one volume, Dances of Jos Limn and Erick Hawkins accesses two distinct approaches to training and performance that proved highly influential in creating post-war dialogues on race, gender, and embodiment. This book approaches Limn and HawkinsO training regimes and performing strategies as social practices symbiotically entwined with their geo-political backgrounds. LimnOs queer and Latino heritage is put into dialogue with HawkinsO straight and European heritage to examine how their embodied social histories worked co-constitutively with their training regimes and performance strategies to produce influential stagings of masculinity, whiteness, and Latinidad.