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£44.99
This book acknowledges that the reader of a novel looks at and sees the page before they begin to read any text placed upon it. Thus, any disruptions to how a traditional page 'should look' can have a large impact on the reading process. The book critically engages with the visual appearance of graphically innovative contemporary prose fiction.
List of Figures Acknowledgements 1: An Introduction to Visual Devices in Contemporary Prose Fiction 2: Reading Textual Gaps 3: Textual Gestures: Iconic Text and Narrative 4: Graphic Storytelling and Visual Narrative: Images in Prose Fiction 5: Case Study 1: Raymond Federman's Double or Nothing: A Real Fictitious Discourse (1992) 6: Case Study 2: William H. Gass's Willie Masters' Lonesome Wife (1968) 7: Conclusions Bibliography Index
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