Theatre-Making explores modes of authorship in contemporary theatre seeking to transcend the heritage of binaries from the Twentieth century such as text-based vs. devised theatre, East vs. West, theatre vs. performance - with reference to genealogies though which these categories have been constructed in the English-speaking world.
Introduction 1. Staging a Play: The Problems of Page and Stage 2. From Devising to Adaptation 3. New Writing in the 21st Century 4. Verbatim 5. Relational New Works Conclusion Bibliography Appendix 1: Simon Stephens - Interview Appendix 2: Philip Ralph - Interview Appendix 3: Tim Crouch - Interview
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