To today's radio listener, it is difficult to imagine the influence radio once held over the American people. Unlike movies or newspapers, radio both informed and entertained its audience without requiring them to participate. Part of its success depended upon the people who created the sound effects--a squeaking door, the approach of a horse, or a typewriter.
The author did live sound effects during the "Golden Age" of radio. He provides many insights into the early days of the medium as it grappled with entertaining an audience based on a single sense (hearing). How the sounds were produced is fully covered as are the artists responsible for their production. Stories of successful effects production are balanced by embarrassing or funny failures. A list of artists and their shows is included.
Table of Contents
Acknowledgments
Preface
I. Walk Like a Woman
II. ColBeeS
III. Some Good News and Bad News
IV. Whinny Like a Horse
V. The Directors
VI. The Comedians
VII. And Now-A Word from Our Sponsors
VIII. Gunshots and Other Strange Sounds
IX. The Soaps
X. Television-The End of the Good Times
XI. Captain Kangaroo
XII. The Artists and Their Credits
A Few Final Words
Index