From the runways of Paris to the casting controversies over BMiss Saigon, from a local demonstration at the Claremont Colleges in California to the gender-blending of BM. Butterfly, BAbout Face examines representations of Asia and their reverberations in both Asia and Asian American lives. Japanese high fashion and Asian American theater become points of entry into the politics of pleasure, the performance of racial identities, and the possibility of political intervention in commodity capitalism. Based on Kondo's fieldwork, this interdisciplinary work brings together essays, interviews with designer Rei Kawakubo of Comme des Garcons and playwright David Henry Hwang, and "personal" vignettes in its exploration of counter-Orientalisms.
part0 Introduction; Chapter 1 the politics of pleasure; Part 1 Orientalisms; Chapter 2 ::; Chapter 3 orientalizing: fashioning "japan"; Part 2 Consuming Gender, Race, and Nation; Chapter 4 the limits of the avant-garde? gender and race on the runway; Chapter 5 fabricating masculinity: gender, race, and nation in the transnational circuit; Part 3 Strategies of Intervention; Chapter 6 the narrative production of home in asian american theater; Chapter 7 interview with david henry hwang; Chapter 8 art, activism, asia, asian americans;
