Skip to main content Site map

Philosophy of the Film: Epistemology, Ontology, Aesthetics


Philosophy of the Film: Epistemology, Ontology, Aesthetics

Paperback by Jarvie, Ian

Philosophy of the Film: Epistemology, Ontology, Aesthetics

£51.99

ISBN:
9780415760058
Publication Date:
26 Aug 2015
Language:
English
Publisher:
Taylor & Francis Ltd
Imprint:
Routledge
Pages:
408 pages
Format:
Paperback
For delivery:
Estimated despatch 22 May 2024
Philosophy of the Film: Epistemology, Ontology, Aesthetics

Description

Examines the overlap between film and philosophy in three distinct ways: epistemological issues in film-making and viewing; aesthetic theory and film; and film as a medium of philosophical expression.

Contents

Preface, Acknowledgments, Introduction: On the Very Idea of a Philosophy of the Film: Casablanca, 1. Philosophy of the Film, 2. Film as Philosophy, 3. Casablanca as Philosophy, 4. Conclusion, Part One. Movies as a Philosophical Problem, 1. Knowledge and Existence, 2. Plato and the Cave, 3. TheGoldenMountain, USD A Approval and Realism, 4. Films and Academic Philosophy, Part Two. Movies as an Aesthetic Problem, 5. Art and Science, 6. Aesthetics and Essentialism, 7. Arguments Against Films as Art, 8. Films as Art, Part Three. Philosophical Problems on Film, 9. Philosophy, 10. Popular Philosophy, 11. On Interpretation, 12. Citizen Kane and the Essence of a Person, 13. Rashomon: Is Truth Relative?, 14. Persona: The Person as a Mask, 15. Woody Allen and the Search for Moral Integrity, Conclusion, Notes, Bibliography, Index of Subjects, Index of Names

Back

University of Salford logo