Popular Spanish Film Under Franco is the first book of its kind to analyze cinematic comedy during the initial two decades of Francisco Franco's dictatorship. Focusing on the intersection between popular culture and political populism, it breaks new theoretical ground in re-evaluating the policies of the regime and the tactics employed by those who sought to undermine it. Its cultural studies approach - combining Gramsci, de Certeau and Bakhtin - interrogates the ambiguous nature of subversion and challenges common assumptions concerning post-war Spanish film.
List of Figures Acknowledgements Introduction Comedy and the Weakening of the State Tactics and Thresholds in Edgar Neville's Life on a Thread (1945) Metropolitan Masquerades: The Destabilization of Madrid in the Neville Trilogy Populism, the National-Popular and the Politics of Luis Garcia Berlanga: Welcome Mister Marshall! (1952) Humor and Hegemony: Berlanga, the State and the Family in Placido (1961) and The Executioner (1963) 'Making Do' or the Logic of the Ersatz Economy in the Spanish Films of Marco Ferreri The Pueblo Travestied in Fernando Fernan Gomez's The Strange Journey (1964) Conclusion: Gila's Telephone Notes Bibliography Filmography Index
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